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The texts in this collection each respond to Everything I Have Is Yours (2019) by Eileen Simpson and Ben White (Open Music Archive), an artists’  film that takes as a starting point records produced during the first decade of the UK pop charts – 1952 to 1962 – and experimentally repurposes them in an on-going exploration of the limits of sampling and the possibilities of live collaboration.  EDITED BY Steven Bode and Ellen O’Donoghue Oddy DESIGNED BY Textbook Studio SUPPORTED BY...
Topics: art, film, moving image, archives, music, pop music, UK charts, sound, 1950s, 1960s, copyright,...
The VHS Vault
Dec 5, 2012 Eileen Simpson and Ben White
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a project by Eileen Simpson and Ben White As the first Jordanian audio-visual works begin to fall into the public domain, a constellation of interests are translating, drafting and revising copyrights laws, trade agreements and licences to control the flow of culture and build new markets. Against the backdrop of these emerging intellectual property markets, in 2008 artists Eileen Simpson and Ben White embarked on a period of research in Amman, Jordan – speaking to lawyers, copyright...
Topics: Jerash, Amman, Jordan, Jerusalem, Dead Sea, copyleft, public domain, 1957, 1950s, gangster,...
Community Audio
Sep 3, 2007
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Community Audio
Sep 1, 2007
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Community Audio
Sep 1, 2007
audio
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Community Video
Jul 31, 2006 Open Music Archive
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Eileen Simpson & Ben White present Leverage, a new project which centres around the creation and animation of copyleft licensed 12 inch vinyl scratch tools containing a range of samples, beats and extracts made from the out-of-copyright blues, jazz and folk housed in the Open Music Archive.(www.openmusicarchive.org) Video of scratch DJ Parkertron (Fingathing) testing the Leverage records using Serato Scratch Live. Shot and edited by Kid Jenson
Topic: Open Music Archive, Leverage, Parkertron, Fingathing, turntablism, DJ, scratch, jazz, blues, folk